Louis Carnell Shares New Track "worn in never the evers rest, so undress now" || Out Now On Mute

Louis Carnell has released a new track, “worn in never the evers rest, so undress now,” following last month’s release of “torch his emblem, fear obtains laced dreams.”

Both pieces, 1:43 in length, continue the cyclic patterns of his recent work, 111 and relate back to tracks from his last studio album, 2021’s A Call To Arms (Mute), pulling lyrics (in this case from ‘Winter Sun’) from the past, allowing a new chance for encased words. Both tracks will be available on postcard vinyl, exclusively on Bandcamp on Monday November 10th.

Listen to this incredibly personal work, where Carnell’s voice is present through rich resonating vocals and a reverberating intonating choir HERE.

After the loss of his Mother, Louis Carnell found himself drawn to a time that existed before, as he sought to find resolve, in reconsideration. Finding himself confronted by what it truly means to be alone - an only child without any immediate family - he chose to present his new work using one element, his voice.

The imagery was prompted by an encounter with a white pigeon on the day he heard the news of his Grandmother’s passing. Influenced by his Mum’s love of photography, a series followed, capturing these ‘spiritual embodiments, “Pigeon Angels.”

On Sunday November 9th, Louis presents the ‘in hope we must reside’ event in London, which will comprise of a live performance, presented together with photography by Carnell, artwork in collaboration with REMEMBER YOU WERE MADE TO BE USED, a jewelry collection designed with Phi Symbol and an installation by NA Service.

Louis Carnell’s 111 was a collaborative series that saw him work with Damsel Elysium, Keeley Forsyth, Lee Ranaldo, Ben Vince, Yasa Asmar, Coby Sey, KMRU, Okkyung Lee, Wu-Lu, Green-House, Daniel Miller, Laraaji, Marta De Pascalis, Leila, and Nailah Hunter across 15 tracks that are now available digitally and on double vinyl.

Each track in the series is accompanied by one of three visual works by Arcin Sagdic (Maison Margiela, COMME des GARÇONS, Burberry) and Louis Carnell, extending Carnell’s visual collaborations that have included Daniel Sannwald, Frederik Heyman and Peter De Potter.

111 live events included performances at the ICA (on a bill with Keeley Forsyth, his first collaborator for the series), Café OTO and Stoke Newington Old Church in London, the Volksbühne in Berlin, Sheffield’s Gut Level, The Hague, Birmingham, Marseille and Nottingham Contemporary.